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But it was after the trip to Morocco, and with the arrival of arranger Hossam Ramzy and his Egyptian Ensemble of string players and percussionists, that Page and Plant turned their idea into reality. In April the four-piece played at a memorial concert for bluesman Alexis Korner in Buxton, Derbyshire. Soon after, Plant brought in drummer Michael Lee and bass player (and Plant’s son-in-law) Charlie Jones from his solo band. “I never really understood why they did what they did,” Jones remarked, especially when they named the album No Quarter, after his signature song.Ĭome February ’94, Page and Plant were in a rehearsal room in King’s Cross in London, jamming to North African-inspired drum loops recorded for them by French composer Martin Meissonnier. But it was difficult not to think otherwise. Naturally, the question most people immediately asked was: where was John Paul Jones? Plant flippantly told one journalist at a press conference: “John Paul’s parking the car.” But it seemed Robert and Jimmy had to get used to each other again, and simply couldn’t handle a third ego.Īlso, Jones’s involvement would have made it almost a Led Zeppelin reunion – and Plant, especially, did not want that. Plant’s then-last solo album, 1993’s Fate Of Nations, featured some of what he called “the Moroccan thing”, and he wanted to explore that influence further.Īnother inspiration was a trip Page and Plant had made to India in 1972, where they’d got, in Plant’s words, “wired off our faces” and recorded versions of Led Zeppelin tunes Four Sticks and Friends with the Bombay Symphony Orchestra. They would rework songs from the Zeppelin catalogue, some of which would be broadly acoustic, and not just play ‘the hits’. The duo had one caveat: that the show wouldn’t be ‘unplugged’ at all.
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You don’t play me because I’m too old, so why start worrying about me now?’ Or I could think about how to team up with the one bloke who knew where I was coming from and see if we couldn’t go ahead.” He told Rolling Stone: “It was obvious that I could either say: ‘Well, fuck off, I don’t like MTV anyway. “Although I’ve got a bit of a problem with my ego,” the singer explained, “it would be a bit ridiculous to try and take all the glory for all those songs.” When Plant was asked to record a show for MTV’s Unplugged series, he agreed to do so with Page.
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The one-upmanship and lingering resentments between the two musicians remained, but took a back seat as Page and Plant contemplated working together again. In fact, Plant’s then manager Bill Curbishley and his label’s A&R man Dave Bates had helped broker a rapprochement. Page claimed the singer knew he was coming Plant mischievously said he’d turned up unannounced. In late November ’93, Page, en route to performing with Coverdale in Japan, stopped off in Boston where Plant was playing two nights at the Orpheum Theatre.
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All anyone wanted was Page and Plant to make a record together.
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Jimmy Page, meanwhile, had just recorded an album of blustery, puffed-up hard rock with singer David Coverdale. Reunited: Robert Plant and Jimmy Page (Image credit: Andy Earl)īy 1994, Robert Plant had spent more than 10 years making music that tried way too hard not to sound like Led Zeppelin.